Nabeshima Morning Glory Long Wind Bell

This wind bell has a beautiful morning glory design in the iro-Nabeshima (colored Nabeshima) style on beautiful white porcelain. The painting emphasizes the blue color to create a sense of coolness.

The Japanese morning glory is a summer flower, introduced from China in the Nara period (710–794 CE). Its Japanese name asagao, meaning "morning face," is said to have originated from its characteristic of blooming early in the morning, and was compared to the face of a morning beauty.

The style of iro-Nabeshima has traditional rules, consisting of one color for sometsuke (indigo blue) and three colors for akae (red, yellow, and green). After the outline is drawn in indigo blue gosu pigment, overglaze painting in red, kibi (yellow), and moe (green) is used to color in the design. Although it may seem that many colors are used, in fact, only three are applied—a hallmark of iro-Nabeshima—and its beauty is regarded as the pinnacle of Japanese porcelain.

Hataman Touen

Hataman Touen inherits the rich history and techniques of Imari Nabeshima ware, a tradition spanning 370 years, while embracing the spirit of Japanese culture that enriches the heart and soul. They aim to embody Japanese aesthetics in a modern context and share their story and products with the world.

Nabeshima ware is a type of porcelain crafted at the meticulously managed Nabeshima domain kiln. This kiln, which operated as a government-run project under the direct supervision of the Saga Nabeshima domain, flourished during the early Edo period (1603–1868 CE).

For approximately 250 years, Nabeshima ware was reserved solely and exclusively for shoguns and feudal lords, with the kilns producing exquisite pieces in styles like iro-Nabeshima (overglaze enamel), ai-Nabeshima (sometsuke), and Nabeshima seiji (celadon). After the feudal system ended, the kilns were privatized, welcoming new potters and giving rise to what is now known as Imari Nabeshima ware.