Nakada Kingyoku Morikin Arabesque Aochibu Round Vase
This Morikin Arabesque Aochibu Round Vase serves as a canvas where ancient techniques of morikin "raised gold" and aochibu "blue dots" converge in a fantastic display of artistry. The surface of the vase bursts into life with an array of delicate blue dots, meticulously applied with an icchin, a dispenser with a fine tip, showcasing an unparalleled level of dedication and precision. These are beautifully complemented by the raised gold patterns of the morikin technique, richly adorned with intricate arabesque patterns that gracefully wrap around its form.
The dynamic visual rhythm created by the aochibu dots, enhanced by the depth and texture of morikin gold, showcases Nakada Kingyoku the Third’'s commitment to bridging traditional techniques with contemporary creativity. The vase offers a fresh perspective on timeless design, respecting the legacy of Kutani ware while pushing the boundaries of ceramic art with a bold spirit of innovation.
PRODUCT DETAIL
- Dimension: H 15 cm (5.9 in) x D 13.4 cm (5.3 in)
- Material: Porcelain
- Origin: Made in Japan - Kutani ware
- Artist: Nakada Kingyoku
Tag @musubikiln for a chance to be featured
On Instagram
The raised gold patterns on the vase not only enhance visual depth but also impart a luxurious texture, appealing to both touch and sight. Its round shape encourages tactile exploration, with the smooth surface and considerable weight reflecting the high-quality materials and craftsmanship involved in its creation.
The legacy of Kutani ware is enlivened by traditional arabesque patterns. The lively visual rhythm of the blue dots, enriched by the depth and texture of the raised gold, reflects Nakada Kingyoku's commitment to traditional techniques. His work exemplifies the dynamic fusion of aochibu and morikin, demonstrating his dedication to blending traditional craftsmanship with contemporary creativity.
NAKADA KINGYOKU
Under the tutelage of his father, Nakada Kingyoku the Second, and decade of rigorous apprenticeship, he has culminated in a profound mastery over the Aochibu "blue dots" and Morikin "raised gold" techniques. Blending traditional elegance with innovative flair through the use of platinum and spatial elements inspired by the Rimpa school. His commitment to excellence is reflected in his meticulous choice of tools and materials including platinum, ensuring each piece he creates embodies the intricate beauty characteristic of Kutani ware.
His work was selected for the National Traditional Craftwork Exhibition and the Traditional Kutani Craft Exhibition. He was officially certified as a Kutani Ware Traditional Craftsperson. In 2017, he was honored with the Ishikawa Prefecture Traditional Industry, Outstanding Technician Encouragement Award, underscoring his significant contributions to the field and recognizing his efforts to push the boundaries of traditional craftsmanship.
