
Horno Seikou
El horno Seikou, fundado a principios de la era Taisho (1912-1926 d. C.) en la ciudad de Nomi, prefectura de Ishikawa, se ha dedicado durante mucho tiempo al arte de la pintura japonesa sobre vidriado para cerámica Kutani. Tras años de investigación, el horno perfeccionó una técnica de alta calidad para transferir diseños y patrones mediante láminas impresas internamente. Este método preserva la transparencia de los vidriados vítreos y la profundidad de las pinturas sobre vidriado espesas, logrando la misma riqueza que la pintura tradicional a mano. Su trabajo ha recibido prestigiosos galardones, incluyendo el reconocimiento en el Concurso de Recuerdos Japoneses con Encanto de la Agencia de Turismo de Japón.
The founder of Seikou Kiln (1910–1965) was a Kutani ware artisan from the small farming community of Terai (now Nomi City). He began his career under his father, who earned a living by traveling to sell Kutani ware in places like Shiga Prefecture. During that time, the vibrant, gold-decorated saishoku-kinrande style created by Terai-based painter Kutani Shozo was highly sought-after. Nonetheless, the first-generation Seikou focused on the use of traditional Japanese pigments derived from ko-Kutani techniques and immersed himself in intensive research on these paints.
Today, Seikou Kiln’s guiding principles center on preserving ko-Kutani heritage through Japanese overglaze painting, consistently refining the quality of Kutani ware, and offering its unique elegance at attainable prices. This philosophy has been passed down to the second generation Seikou (born in 1947) and the third generation (born in 1974), and it continues to shape the kiln’s product development.

Seikou Kiln employs advanced transfer and printing techniques to reproduce the vibrant colors and hand-painted feel that are characteristic of traditional Kutani ware. The delicate designs and brushstrokes created by skilled artisans are first digitized and transferred onto specialized transfer sheets, allowing for mass production while maintaining consistent quality. This method makes Kutani ware’s exquisite designs more accessible while preserving high quality at an affordable price. Furthermore, each piece undergoes careful inspection by artisans during the transfer process, ensuring a finish that is as delicate as hand-painted works.

Seikou Kiln, with a history spanning nearly 100 years, has been consistently dedicated to the research and development of wa-enogu (Japanese color paint). In its early days, wa-enogu was used only by a select few artists and was rarely applied to everyday tableware. Determined to change this, the founder began developing these pigments through self-study, driven by the desire to bring high-quality Kutani ware to a wider audience.
In 2004, Seikou Kiln successfully developed its own original wa-enogu. The translucent, glass-like pigments feature vibrant colors and a unique luster, adding a touch of elegance and brilliance to the dining table.

While Kutani ware is renowned for its vibrant colors, the hachi-kutani series offers sauce plates presented entirely in white. The off-white base is painted with a single shade of white—evoking the snowy scenery of Mount. Hakusan—and finished with a subtle rusted trim, giving each plate an elegant, traditional charm.

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