¿Qué es el estilo Kutani Yoshidaya?
De Team MUSUBI
El encanto del estilo Yoshidaya reside en el uso de pigmentos translúcidos y una delicada técnica pictórica, así como en la exquisitez y la maestría de sus dibujos. Se pinta y se cubre con un barniz amarillo; la pincelada, elaborada y ágil, aporta ligereza a la obra. En comparación con el estilo Ko-Kutani, caracterizado por marcadas líneas gosu (contornos negros), el estilo Yoshidaya es más preciso y delicado.
El horno Yoshidaya, donde se creó el estilo Yoshidaya, abrió sus puertas en la aldea de Kutani, cuna de la cerámica Ko-Kutani, con el objetivo de revitalizar esta tradición. Sin embargo, la cerámica estilo Yoshidaya no era una mera imitación, y se produjeron numerosas obras originales de gran calidad artística en el estilo Ko-Kutani Aote (porcelana vidriada con base azul). Las pinturas utilizadas en el estilo Yoshidaya son más sobrias y austeras que las de Ko-Kutani, y el equilibrio entre los colores es armonioso.
Además, el diseño tejido se complementa con Nanako Komon (formas redondas finas) y puntos, que realzan el patrón principal. Si bien el uso de patrones redondos y punteados varía en cada pieza, se dice que pintarlos sobre espacios en blanco crea profundidad en el diseño. Los patrones principales son variados: desde flores, pájaros, paisajes y personas hasta diseños teñidos, que cautivan la mente y el espíritu del espectador.
Horno Yoshidaya (1824-31) y Toyoda Den-emon
El horno Yoshidaya fue construido en 1824 junto al horno Kutani en la aldea de Kutani por Toyoda Den-emon. Era un acaudalado comerciante del clan Daishoji y un hombre de gran cultura. En sus últimos años, se retiró y se dedicó a la alfarería. A los 72 años, Toyoda decidió recrear la cerámica Ko-Kutani y abrió un horno en la aldea de Kutani con sus propios recursos. Aunque sabía que no sería rentable abrir un horno en Kutani, ubicada en lo profundo de las montañas y de difícil acceso, se atrevió a correr el riesgo. Esto se debía a que quería demostrar su firme deseo de reproducir la cerámica Kutani construyendo el horno Yoshidaya junto al horno Kutani dentro de la aldea.
Las obras de estilo Yoshidaya fueron bien recibidas por la aristocracia y los intelectuales de la época por su maestría artística y calidad, comparable a la de la cerámica Ko-Kutani. Sin embargo, la búsqueda de la calidad sin tener en cuenta la rentabilidad perjudicó el negocio del horno Yoshidaya, y aunque este se trasladó a la ciudad de Yamashiro, donde el transporte era más conveniente, lamentablemente cerró sus puertas en 1831, tras unos siete años de actividad.
La vajilla estilo Yoshidaya tiene una presencia imponente en la mesa y combina a la perfección con arreglos sencillos. Haga clic en el banner a continuación para ver nuestros artículos estilo Yoshidaya.
Más historias de Kutani
Entradas populares
Entradas populares
Categorías
Categorías
6 comentarios
Phillup We are so glad that you are very eager to explain your precious vase that was gifted by your dear son. We replied to your previous comment but we would like to contact you from our email address of 【infomusubikiln.com】so please check your inbox when it is possible for you!
Team Musubi
@Phillup Thank you very much for your color clarification. Your dragon is more towards green! We would like to see it!
Team Musubi
Phillup We enjoyed your writings about your vase. It was so detailed that we could tell that you love the vase. We would like to contact you from our email of 【infomusubikiln.com】so that we could communicate better/easier! Please check your inbox when it is possible for you!
Team Musubi
Please forgive this old man. I revised my post, and thank you again for your time!
Thank you for your help!🥰🤗🖖
My son purchased for my birthday an old Kutani jar, or vase if you prefer. It seems to be a masterpiece. It has the five colors, with the red being a sort of flat non glassy enamel! It has the green kukufuku mark on the bottom. It is made of stoneware that is so heavy it feels like it is filled with sand, and it is empty. 9” tall, and no chips, or cracks. I would like a positive date of manufacture, and place of manufacture. I just read an article that seems to identify that no over glaze was found in shards at the old Kutani kiln site. Plus point’s out that all old Kutani that is surviving is Arita manufactured. This has my head spinning 😵💫. Back to my vase. It seems to be very rare thing.
Forgive me my ignorance. It seems to be in a Aote style of the Edo period. It is not flowers, birds, trees, or people! 🤔 It has a large, and long three clawed Japanese dragon floating all around the entire jar, through a yellow background of vortex interlocking pattern. The dragon has red fire flying off the body, and a red tongue. Smiling like a Korean dragon. There are what appears to be clouds of every combination of the classic colors except red. There are a number of sunburst, or flaming pearl with the same varying combinations purple, light green, and dark blue, and black. No single one is the same. Nothing boring about this jar. The color slaps you in the face. 😁 The dragon also floats above a dark blue water, that is jumping up from the bottom, boiling like a storm, with black line decoration through it. Last it has a vary pleasurable ice crackle through out the jar in every color except red. I have search everywhere for another KoKutni like this, and have found non. It seem to have a white under glaze on the inside. It has a three-de magical effect to it. Every part of the jar is covered in enamel except the foot. If you would like photos please send me email link to send them.
Thank you for your time!
Phillup Brinkman
Phillup Brinkman
Ware I say light blue on the Kutani dragon vase, it is actually green. Please change that for me phillup
Phillup
Thank you for your help!🥰🤗🖖
My son purchased for my birthday an old Kutani jar, or vase if you prefer. It seems to be a masterpiece. It has the five colors, with the red being a sort of flat non glassy enamel! It has the green kukufuku mark on the bottom. It is made of stoneware that is so heavy it feels like it is filled with sand, and it is empty. 9” tall, and no chips, or cracks. I would like a positive date of manufacture, and place of manufacture. I just read an article that seems to identify that no overgrazing was found in shards at the old Kutani kiln site. Plus point’s out that all old Kutani that is surviving is Arita manufactured. This has my head spinning 😵💫. Back to my vase. It seems to be very rare thing.
Forgive me my ignorance. It seems to be in a Aote style of the Edo period. It is not flowers, birds, trees, or people! 🤔 It has a large, and long three clawed Japanese dragon floating all around the entire jar, through a yellow background of vortex interlocking pattern. The dragon has red fire flying off the body, and a red tongue. Smiling like a Korean dragon. There are what appears to be clouds of every combination of the classic colors except red. There are a number of sunburst, or flaming pearl with the same varying combinations purple, light blue and dark blue, and black. No single one is the same. Nothing boring about this jar. The color slaps you in the face. 😁 The dragon also floats above a dark blue water, that is jumping up from the bottom, boiling like a storm, with black line decoration through it. Last it has a vary pleasurable ice crackle through out the jar in every color except red. I have search everywhere for another KoKutni like this, and have found non. It seem to have a white under glaze on the inside. It has a three-de magical effect to it. If you would like photos please send me email link to send them.
Thank you for your time!
Phillup Brinkman
Phillup Brinkman
Dejar un comentario
Este sitio está protegido por hCaptcha y se aplican la Política de privacidad de hCaptcha y los Términos del servicio.