Botanical Textures Objet d'Art 15

A plant that never fades. This objet d’art by Alyne Ohigashi imaginatively draws on her knowledge of botany to create a fantastical botanical sculpture. Its texture inspired by a cactus, it might also be likened to seeds or the ridges of a fruit, crowned by a flower reaching for the sun—an intriguing ambiguity that rewards repeated viewing. Each bump and ridge is individually crafted and applied by hand, giving the piece an organic rhythm. Wonderfully tactile, it offers new ways of experiencing form and structure.

Sculpted out of Tobe porcelain—difficult to work with for a detailed art piece such as this—this creation also showcases Ohigashi’s vivid glazing techniques. Multiple layers of glaze drip in soft blues and greens that gather in each dip in the clay, evoking the tidepools of a tropical sea. Glassy and luminous, the interplay of light and shadow created by the texture invites viewing from every angle.

Exploring new possibilities in Tobe ware, Ohigashi remains true to the materials of the craft while adding her own innovations. Drawing on botanical shapes and ocean hues familiar to her from a childhood spent in the Philippines, Ohigashi skillfully unifies her two homelands. The result feels both nostalgic and new, familiar and strange, an intriguing ambiguity that encourages the viewer to create their own meaning.

Just like a real plant, this piece encourages an emotional bond with its caretaker. Every single ridge and curve is unique, reflecting both the symmetry and variation alive in the natural world. Not only beautiful but a delight to touch, this work brings a lively presence to a foyer, centerpiece, or desk, inviting in turns conversation and quiet reflection. It is a playful symphony of imagination, a rhythmic ode to nature.

Ohigashi Alyne

Ohigashi Alyne works within the time-honored craft of Tobe ware, bringing her unique voice to this centuries-old medium. Combining traditional techniques with her own distinct designs and glazing styles, she turns the pristine white surfaces of Tobe porcelain into canvases for her vibrant colors and textures.

With a background in agricultural research, Ohigashi excels in botanical and natural motifs and forms. Through a combination of intuition and a deep understanding of technique and materials, she crafts ceramic sculptures and objets d’art that seek to expand the horizons and possibilities of Tobe ware as a medium.

Entonces Ware

La porcelana Tobe se produce en la región de Tobe, en la prefectura de Ehime, al noroeste de la isla de Shikoku. Esta porcelana blanca, con su hermoso tono ligeramente azulado debido al hierro, sigue siendo muy apreciada. La porcelana Tobe mantiene un profundo respeto por las técnicas artesanales tradicionales, incluso en medio de la modernización.