Wind God and Thunder God Round Dinner Plate

Featuring the distinctive nami-yu glaze, which is made from the ashes of the Kyoto forest, the plate has a natural base color in yellowish cream-white. 

The paintwork is done by individual Japanese-style painters, pursuing their originality and depth beyond the expectations for mere decoration. This particular piece presents the deities of "Fujin Raijin" (Wind God and Thunder God). Not only are they deities of the supernatural, but they are also believed to be the attendants of the wise Buddha. The Wind God is riding his cloud, carrying a cloth which lets him control the wind at his own will, and the Thunder God holds a ring of drums. 

The finishing touch to the plate is a lining of gold. Due to its delicate characteristics, gold can only be applied as an overglaze to truly display its beautiful color. 

It is 24cm (9.4in) in diameter and can be used as a dinner plate to serve a plentiful amount of sushi for a small gathering. The stunning painting is also suitable for display with a plate stand.

Tosen Kiln

Tosen Kiln was founded in 1868 as a Kiyomizu ware wholesaler. In 1944, it established a production studio in Mukomachi, a suburb of Kyoto, marking the beginning of full-scale Kiyomizu ware production. Today, the kiln operates in Gojo, Kyoto, continuing its legacy of craftsmanship.

Dedicated to refining its techniques and artistic sensibilities, Tosen Kiln embraces Kyoto’s traditional craftsmanship while adapting it for the modern era. Drawing inspiration from Edo-period master potter Nonomura Ninsei, it preserves his precise lathing techniques and luminous painting styles, blending them with clean lines and warm tones to create pieces that resonate with contemporary aesthetics.

Kyo Ware & Kiyomizu Ware

Kyo ware and Kiyomizu ware, collectively known as Kyo-yaki and Kiyomizu-yaki, are celebrated pottery styles from Kyoto. Known for their vibrant designs, finely sculpted forms, and dedication to handcrafted detail, these wares reflect Kyoto’s distinctive sense of beauty and artistic refinement.

Defined by a long-cultivated diversity, Kyo ware and Kiyomizu ware have drawn on techniques and styles from pottery traditions across Japan, evolving into a richly expressive and distinctly Kyoto art form. Recognized as a Traditional Craft of Japan in 1977, they continue to be cherished for their cultural depth and everyday appeal.