Morikin Floral Arabesque Aochibu Round Vase

The rounded form of this Kutani ware vase brings together the traditional techniques of morikin “raised gold” and aochibu “blue dots.” Thousands of fine blue dots spread across the surface, creating a dense pattern that follows the vessel’s curving contours.

Delicately layered, petal-like hosoge is an imaginary floral motif derived from Chinese arabesque designs and widely used in Japan during the Nara (710–794 CE) and Heian (794–1185 CE) periods. It is paired with flowing arabesque lines that wind around the vase. Both are intricately rendered in morikin gold.

The aochibu creates a steady rhythm, while the morikin adds depth and texture. Created by third-generation Nakada Kingyoku, the vase brings these two Kutani ware techniques together, allowing their different textures to meet across a single surface.

The work is presented in a paulownia wood chest with a wooden name plaque and protective cloth.

Nakada Kingyoku

Nakada Kingyoku's work embodies Rimpa Artistry with its dignified elegance and graceful beauty. He harmonizes the interplay between space and miniature craftsmanship, combining modern sensibilities with meticulous techniques through the artistry of blue dots and raised gold. His work not only pays homage to his inherited heritage but also introduces innovations to elevate the aochibu style.

Kutani Ware

Kutani ware is a pottery produced in the Kaga region of Ishikawa Prefecture, with a history spanning over 350 years. It is characterized by the heavy brilliance of the five colors of navy blue, red, purple, green, and yellow that are applied to the bold and daring lines. Its long history has evolved through the tireless efforts and enthusiasm of people who have sought innovation while maintaining tradition.