Gion Weeping Sakura Matcha Bowl

The image of the graceful weeping sakura, cherry blossoms, of Gion, Kyoto, is depicted on this matcha bowl from Tosen Kiln. Weeping cherry blossoms are one of the representative flowers of Kyoto, and express its unique atmosphere. The pink and pale green of the cherry blossoms beautifully decorate the yellowish cream white color of the Kiyomizu ware base. The rounded shape of the bowl gives an overall gentle impression and adds depth to the cherry blossoms.

This tea bowl can hold a generous 350 ml (11.8 fl oz), making it ideal for preparing and serving matcha. The dimples on the sides and the spout make it easy to hold and pour, allowing it to double beautifully as a katakuchi sake carafe as well. Match it with sake cups from the same Sakura series to adorn your tabletop with the stunning colors of spring in Kyoto.

Tosen Kiln

Tosen Kiln was founded in 1868 as a Kiyomizu ware wholesaler. In 1944, it established a production studio in Mukomachi, a suburb of Kyoto, marking the beginning of full-scale Kiyomizu ware production. Today, the kiln operates in Gojo, Kyoto, continuing its legacy of craftsmanship.

Dedicated to refining its techniques and artistic sensibilities, Tosen Kiln embraces Kyoto’s traditional craftsmanship while adapting it for the modern era. Drawing inspiration from Edo-period master potter Nonomura Ninsei, it preserves his precise lathing techniques and luminous painting styles, blending them with clean lines and warm tones to create pieces that resonate with contemporary aesthetics.

Kyo Ware & Kiyomizu Ware

Kyo ware and Kiyomizu ware, collectively known as Kyo-yaki and Kiyomizu-yaki, are celebrated pottery styles from Kyoto. Known for their vibrant designs, finely sculpted forms, and dedication to handcrafted detail, these wares reflect Kyoto’s distinctive sense of beauty and artistic refinement.

Defined by a long-cultivated diversity, Kyo ware and Kiyomizu ware have drawn on techniques and styles from pottery traditions across Japan, evolving into a richly expressive and distinctly Kyoto art form. Recognized as a Traditional Craft of Japan in 1977, they continue to be cherished for their cultural depth and everyday appeal.