Kyoto Brushwork Incense Holder

Each hand-painted in the Kyoto tradition, this incense holder brings together classic motifs and a calm, modern silhouette. The surface has a gentle milky glow, while the underside is left unglazed to reveal the clay’s natural creamy-white texture. Its long rectangular form offers a clean presence that suits both daily use and moments of quiet reflection.

The expressive side is positioned on the right, while the incense stand fits into the lower-left corner, its slightly larger opening allowing the stick to rest at a gentle angle as it burns. The left is intentionally clear so ash will not touch the detailed design, and this unadorned space creates a serene margin where the drifting smoke becomes part of the composition.

This holder is offered in four beautiful variations: the graceful Camellia, the majestic Black Dragon, the lively Choju-Giga, and the delicate Sakura. A thoughtful companion for your favorite incense, It settles easily into your interior, letting its painted motifs be enjoyed from any angle.

Tosen Kiln

Tosen Kiln embraces Kyoto’s traditional craftsmanship while adapting it for the modern era. Originally founded in 1868 as a Kiyomizu ware wholesaler, Tosen Kiln opened a ceramics production studio in 1944. Today, the kiln continues its legacy in Kyoto’s history-rich Gojo neighborhood.

Drawing inspiration from the precise wheel-throwing techniques and luminous paintings of Edo-period master potter Nonomura Ninsei, Tosen Kiln preserves this heritage while creating pieces that suit contemporary aesthetics.

Kyo Ware & Kiyomizu Ware

Kyo ware and Kiyomizu ware, collectively known as Kyo-yaki and Kiyomizu-yaki, are celebrated pottery styles from Kyoto. Known for their vibrant designs, finely sculpted forms, and dedication to handcrafted detail, these wares reflect Kyoto’s distinctive sense of beauty and artistic refinement.

Defined by a long-cultivated diversity, Kyo ware and Kiyomizu ware have drawn on techniques and styles from pottery traditions across Japan, evolving into a richly expressive and distinctly Kyoto art form. Recognized as a Traditional Craft of Japan in 1977, they continue to be cherished for their cultural depth and everyday appeal.