Kozan-ji Temple Choju Giga Rectangle Dinner Plate

Featuring the distinctive nami-yu glaze, which is made from the ashes of the Kyoto forest, this rectangular plate has a natural base color of yellowish cream-white. It depicts the famous illustrated scroll named "Choju Giga," which is a caricature picture scroll depicting anthropomorphic animals and their playfulness, dating from the 12th to 13th centuries.  

The surface of the plate is glazed stoneware with its lustrous glow. Hand-painted paintings of a frog, rabbits, and a monkey serve as accompaniments to add a humorous touch. The base of the place is unglazed, retaining the rough surfaces of clay with a color of cream-white. The outlines of the plate are uneven and curvy, reminding us of the gentle fingers and craftsmanship that took place in this unique plate.
 
The size is perfect as a sushi platter, sashimi platter, and tempura platter.

Tosen Kiln

Tosen Kiln was founded in 1868 as a Kiyomizu ware wholesaler. In 1944, it established a production studio in Mukomachi, a suburb of Kyoto, marking the beginning of full-scale Kiyomizu ware production. Today, the kiln operates in Gojo, Kyoto, continuing its legacy of craftsmanship.

Dedicated to refining its techniques and artistic sensibilities, Tosen Kiln embraces Kyoto’s traditional craftsmanship while adapting it for the modern era. Drawing inspiration from Edo-period master potter Nonomura Ninsei, it preserves his precise lathing techniques and luminous painting styles, blending them with clean lines and warm tones to create pieces that resonate with contemporary aesthetics.

Kyo Ware & Kiyomizu Ware

Kyo ware and Kiyomizu ware, collectively known as Kyo-yaki and Kiyomizu-yaki, are celebrated pottery styles from Kyoto. Known for their vibrant designs, finely sculpted forms, and dedication to handcrafted detail, these wares reflect Kyoto’s distinctive sense of beauty and artistic refinement.

Defined by a long-cultivated diversity, Kyo ware and Kiyomizu ware have drawn on techniques and styles from pottery traditions across Japan, evolving into a richly expressive and distinctly Kyoto art form. Recognized as a Traditional Craft of Japan in 1977, they continue to be cherished for their cultural depth and everyday appeal.