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Black Geometric Patterns Crane Ornament

Sale price$183.00 USD

Only 9 units left

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Description

Shaped like a paper crane, this porcelain ornament is embellished with fine lines of gold and traditional Japanese motifs in black and white. Meticulously hand-painted by skilled artisans, the gold glimmers as it catches the light, while more detail reveals itself with every glance. Placed on a shelf, nestled in an entryway, or adorning a table centerpiece, this crane ornament invites quiet tranquility into a space.

Each piece takes as many as twelve steps to complete. First, the edges are outlined in gold. Then, artisans apply multiple undercoats of color, with kiln firings between each coat. This results in a smooth, even finish. The main motifs are then painted, followed by intricate gold detailing. The piece is completed through layered decoration and repeated kiln firings. A single piece might be fired up to eight times before it is complete. 

Every element of the design holds meaning. The crane shape itself was chosen by lead designer Kinosawa, who was born in Hiroshima, for its symbolism of peace. An explanation of each pattern is below.

-Shippo, seven treasures: symbolize prosperity. Found on the tip of one wing.
-Bishamon kikko: a weave-like pattern that recalls the chain mail of war deity Bishamonten. Found on one wing.
-Asanoha, hemp leaves: symbolize good health and the growth of children. They appear on one of the crane’s wings.
-Sankuzushi, alternating groups of lines. Found in the middle of the crane’s back, neck, and tail.
-Raimon, a boxy spiral: symbolizes lightning. Found on one wing.
-Seigaiha, ocean waves: symbolize peace and tranquility. Found on one wing.
-Narihirabishi, lines inside a water chestnut, represented by a diamond shape: symbolize prosperity of descendants and good health. Found on the tip of one wing.
-Scattered pine leaves adorn the underside.

Black Geometric Patterns Crane Ornament
Black Geometric Patterns Crane Ornament Sale price$183.00 USD
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Kinsai

Kinsai refers to techniques used to apply gold leaf or gold paint to ceramics. Both terms also refer to the works produced by these techniques. Gold leaf or paint is applied over the ceramics’ glaze or overglaze decoration and then fired at a lower temperature than the overglaze itself. 

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