Glossary

Cesta

La cesta está vacía

BDEFJLQVWXZ

Aochibu 青粒Aochibu is a traditional Kutani ware painting technique developed during the Taisho era (1912–1926 CE). Small blue dots are meticulously applied to a colored background, creating a unique textured eff Asanoha 麻の葉Asanoha is a geometric pattern comprised of evenly connected hexagons resembling the shape of hemp leaves. The pattern is named after the hemp plant, which is fast-growing and strong, reaching maturit Celadon 青磁Celadon (青磁) is a porcelain glaze that fires to a range of blue and jade-green tones, from pale blue to a crystal-clear green. It is often used on porcelain, including artistic pieces. Ceramics Ceramics are objects made from clay and hardened by heat. In Japan, ceramics include a wide range of wares such as Bizen ware, Imari ware, Nabeshima ware, Hasami ware, and Kutani ware, produced in reg Choju-Giga 鳥獣戯画Choju-Giga is a set of four picture scrolls painted between the mid-12th and mid-13th centuries, depicting anthropomorphic animals in caricature style. The scrolls are owned by Kozan-ji temple in Kyot Ginsai 銀彩Ginsai is a traditional Kutani ware technique in which silver leaf is applied to the ceramic body and then sealed beneath a clear glaze before firing. This method ensures the silver leaf remains intac Hanazume 花詰Hanazume, meaning "filled with flowers," is a signature overglaze painting style of Kutani ware handed down from the Taisho period (1912–1926). The technique covers the entire surface of a piece with Ichimatsu 市松Ichimatsu is a traditional Japanese checkered pattern consisting of squares and rectangles arranged in a simple grid. The pattern is created through various craft techniques including glass cutting in Kacho 花鳥Kacho refers to flowers and birds, a traditional motif in Japanese ceramics. The term appears in kacho-soka (flowers, birds, and grass/plants) and kacho fugetsu (flowers, birds, winds, and the moon), Karakusa 唐草Karakusa is a Japanese arabesque pattern featuring vines that extend and spread in all directions. The design represents ivy vines that continue to grow, symbolizing vitality, prosperity, and longevit Kikka 菊花Kikka refers to a chrysanthemum motif or shape used in Japanese tableware and pottery. The term appears in product names and decorative techniques, such as the kikka-kazari zaiku technique used in Hir Kinrande 金襴手Kinrande (literally "gold brocade") is a decorative style in Japanese porcelain characterized by gold designs applied over colored backgrounds. In Kutani ware, it appears as akae-kinrande with gold de Kinsai 金彩Kinsai is a decorative technique in Japanese ceramics that applies gold leaf or gold paste onto painted porcelain. A transparent glaze is applied over the gold before firing, ensuring the gold remains Ko-Kutani 古九谷Ko-Kutani (old Kutani) is a style of Kutani ware characterized by heavy-handed painting techniques, geometric patterns, and realistic paintings. The style dates back to the mid-17th century and featur Maki-e 蒔絵Maki-e is a traditional Japanese decorative technique for lacquerware. It involves painting designs or patterns with lacquer onto a lacquered surface, then sprinkling metal powders—such as gold, silve Maneki-neko 招き猫Maneki-neko, or lucky cat, is a symbol of wealth and good fortune in Japanese culture. Originally, cats were kept by farmers to protect crops from rodents, and over time these feline companions became Marumon 丸紋Marumon is a traditional Japanese pattern composed of circles. The term translates literally to "circle pattern" and appears in various Japanese ceramic decorative traditions. Mokubei 木米Mokubei is a Kutani ware style characterized by filling blank spaces with red pigments, creating a vibrant red background. Intricate designs in the traditional five Kutani colors are set against this Oribe 織部Oribe is a type of Mino ware characterized by a deep, dark green glaze. A base coat of ki-Seto glaze—a pale yellow glaze unique to Mino ware—is first applied, followed by layers of Oribe glaze brushed Porcelain Porcelain is a type of ceramic ware made from refined clay that fires to a white body. In Japan, porcelain traditions include Imari ware from the Hizen region (modern-day Saga and Nagasaki Prefectures Pottery Pottery refers to ceramic ware made from clay and fired in a kiln. In Japan, pottery encompasses diverse regional styles and techniques, including Shigaraki ware made with local natural materials, Ima Sakura 桜Sakura refers to cherry blossoms, which herald the arrival of spring in Japan. The blossoms are a significant seasonal symbol in Japanese culture, featured in traditional viewing parties called hanami Seigaiha 青海波Seigaiha is a traditional Japanese wave pattern characterized by concentric, overlapping arcs that resemble ocean waves. The pattern appears on ceramics, textiles, and paper goods, rendered in various Seto Sometsuke 瀬戸染付Seto sometsuke is porcelain made in Seto, Aichi Prefecture, decorated with cobalt blue underglaze painting. The technique was introduced to Seto by a potter who trained in Arita, marking the beginning Shino 志野Shino is a type of Mino ware pottery. It is recognized as an Intangible Cultural Property in Kani City, Japan. Hori Toshiro, a master of Mino ware, holds the designation of Kani City Intangible Cultur Shippo 七宝Shippo is a traditional Japanese geometric pattern formed by overlapping circles of equal size, offset by a quarter, creating a continuous combination of diamond-like and petal-like shapes. The patter Shirochibu 白粒Shirochibu is a Kutani ware decorating technique characterized by delicate hand-painted white dots. Originating in the Taisho era (1912–1926 CE), the technique ensures that no two pieces are exactly a Sometsuke 染付Sometsuke is a porcelain decorating technique that involves painting designs with cobalt-based pigment onto bisque-fired, unglazed porcelain, then applying a clear glaze and firing. The technique orig Stoneware Stoneware is a type of ceramic made by firing clay at high temperatures. It is classified according to the composition of the clay and the firing temperature, and has been produced in Japan since the Tobikanna 飛び鉋Tobikanna is a decorative technique that creates shallow grooves or grinding marks on pottery surfaces. The pattern is made by applying a blade tool called tobikanna while turning the potter's wheel, Tokusa 木賊 / 十草Tokusa is a decorative pattern of straight vertical lines, beloved since the Edo period (1603–1868 CE). It is inspired by the Japanese plant tokusa, known in English as rough horsetail, and is regarde Yoshidaya 吉田屋Yoshidaya is a style of Kutani ware characterized by translucent pigment and a yellow glaze base. The style features delicate, skillfully-drawn pictures applied with elaborate and fast brushwork that akae-saibyo 赤絵細描Akae-saibyo is a traditional Kutani ware technique dating back to the Edo period (1603–1868) that involves applying red paint and gold to porcelain to create intricate overglaze paintings. The method chinkin 沈金Chinkin is a decorative technique for lacquerware that involves etching or carving fine lines into a lacquer surface, then filling these grooves with gold powder and gold leaf. The term means "sunken gosai 五彩Gosai refers to the five-color overglaze palette characteristic of Kutani ware: red, yellow, green, purple, and navy blue (or dark blue). These vivid colors are applied as overglaze decoration on porc kabazaiku 樺細工Kabazaiku is a traditional Japanese craft that uses the bark of wild cherry trees for decoration and construction. The bark is layered, polished, and finished by hand into functional objects such as t keshiki 景色Keshiki means "landscape" or "scenery." In Japanese craft, it refers to the visual patterns and effects that emerge naturally during making—such as the flame-shaped colors on Raku ware or the repaired kintsugi 金継ぎKintsugi is a Japanese art of repairing broken pottery, glass, lacquerware, and other items with a special type of lacquer. Gold powder is applied atop the lacquer in the finishing stage to add decora kiriko 切子Kiriko is a type of cut glassware that originated in the Edo period in the Sumida Ward area of Tokyo. It is characterized by intricate and precise geometric patterns engraved into the glass surface th kohiki 粉引Kohiki is a traditional Japanese ceramic technique in which a layer of white clay, called shirogesho, is applied over the base clay before glazing and firing. The result is a predominantly white vesse kumiko 組子Kumiko is a traditional Japanese woodworking technique in which thin wooden pieces are joined together to create intricate geometric patterns without the use of nails or adhesive. The technique requir mingei 民芸Mingei is the folk art movement that emphasizes the natural texture and practical beauty of everyday objects. The movement, influenced by the Arts and Crafts movement in England, was associated with t negoro 根来Negoro is a lacquering technique in which black lacquer is applied first, then vermilion (red) lacquer is applied over the black. As the piece is used, the upper red layer wears gently, allowing the b nunome 布目Nunome is a lacquering technique in which a cloth is applied to the wood and lacquer is applied on top of the cloth to bring out the pattern. This technique is stronger and more durable than ordinary raden 螺鈿Raden is a technique where thin pieces of mother-of-pearl are embedded into the surface of lacquerware. The inlaid shell displays an iridescent sheen that changes color and shimmers with the light. setoguro 瀬戸黒Setoguro, or "Seto black," is a style of Japanese pottery characterized by its jet-black luster and soft sheen. It developed during the Azuchi-Momoyama period (1573–1603) and became influential in tea tsuiki 鎚起Tsuiki is a metal crafting technique that involves hammering and embossing metal plates into shape. It is used to work metals such as gold, silver, copper, and tin. urushi 漆Urushi is a natural lacquer harvested from the sap of trees. Applied to wooden bases, it is resistant to heat, moisture, and acids, and offers protection against rot and insect damage. yakishime 焼締Yakishime is a Japanese ceramic technique in which stoneware is fired at high temperatures without glaze. This process creates a naturally lustrous, durable, and water-resistant finish. yohen 窯変Yohen refers to color or surface transformations that occur during firing, caused by kiln placement and natural firing conditions. In the context of tenmoku glazes, yohen tenmoku describes an iridesce